First artists of APARTEDICIONS, Barcelona 2005
Nía Diedla Santiago de Chile, 1979 The day I started to put together images on the table, I did not know that I would find in that gesture the possibility of a language. Today that language has become a place of habit. The photograpgy that I perform finds its roots in an intimate place. The…
Although he was a fan of pencil from an
early age, painting became his principal
tool for interpreting everything around him.
He shows great sensitivity toward light
Studies of the human form, scenes from
everyday life and travels around the world
are the themes of his work.
Creates, designs, constructs and transforms
everything around her, based on
her plastic interpretation.
From 1992 until 2013 she has been associated with
La Rectoria art centre of Sant Pere de Vilamajor,
where she has exercised her expertise in the
art of engraving and printmaking.
Graphic designer and illustrator by “devoration”.
He trained here and there, in Barcelona,
at Peret’s studio. He has worked in Zaragoza,
and now does so in Huesca.
He will draw on any editable surface: posters,
books, cartoons, wine labels, awnings,
rugs, cinema screens or TV.
Jaume Roure Solsona (Lleida), 1959 He is currently working on an architectural theme concerning interior and exterior areas in different parts of Barcelona, London, New York, etc., all of which were chosen with great care and with a very personal aesthetic vision. In his ever poetical work, we find the gradual abandoning of features of…
A post-impressionist painter who,
over the years, has extended his register
to include cubist and expressionist shapes.
Ramon Moscardó does friendly paintings
with a strong regional flavour of
traditional exteriors, cafés and bars
in Barcelona, Cadaqués and so on.
He also does shop interiors with
characters, cats and violins.
His painting penetrates the complexity of colour
and light both in daytime as well as
nocturnal atmospheres. Faithful to what
is natural, he shows us an optimistic
vision of his environment and of his travels.
His painting, with some “Fauve” references,
is expressive and dialogues with us,
it is understandable, open to the presence of
the figure and the urban landscape.