portada-nia-diedla

Nía Diedla

Santiago, Chile, 1979
The day I started putting an image next to another on the table, I didn’t know that I would find in that gesture, the possibility of a writing. Today, that writing has become the place I inhabit. The photography I practice has its origin in the intimate. The fable or the tearing of the everyday are transformed into stories, hence my Diary(s) and also those assemblages that I call Geographies.

With them, the chapters of that question that does not stop resonating in my head and the one that I still cannot answer, at least not completely, because sometimes I can barely read it.

And it is in it, that words like memory, root, footprint, house, oblivion, tree, repeatedly reappear and disappear throughout my work.

Fotolibro MALEZA, available in Ediciones La Visita (Chile) and Filigranes Éditions (France):

Author’s Editions
  • el-arbol-nia-diedla

    El árbol

    400,00
  • El niño

    300,00
  • Mariposa

    300,00
  • La muda

    900,00
  • Ni cielo ni tierra

    180,00500,00
  • de-la-serie-Alba-Nia-Diedla

    De la serie Alba

    180,00500,00
  • el-estornudo-del-Angel-Nia-Diedla

    El estornudo del Ángel

    180,00500,00
  • De la serie Talaparda

    180,00500,00
  • El té de las flores

    180,00500,00
  • La silla roja de la enrredadera

    180,00500,00
  • El olvido del tren

    180,00500,00
  • La Mujer flor

    180,00500,00

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